By Brendan Dooley
A bed Maker's Daughter richly illuminates the narrative of 2 humans whose mutual affection formed their very own lives and in many ways their instances. in response to the Renaissance legend advised and retold around the centuries, a girl of questionable acceptance bamboozles a middle-aged warrior-prince into marrying her, and the family members takes revenge. he's Don Giovanni de' Medici, son of the Florentine grand duke; she is Livia Vernazza, daughter of a Genoese artisan. They dwell in luxurious for it slow, faraway from Florence, and feature a toddler. Then, Giovanni dies, the relatives pounces upon the inheritance, and Livia is compelled to come from riches to rags. records, together with long-lost love letters, exhibit one other tale in the back of the legend, suppressed by way of the kinfolk and forgotten. Brendan Dooley investigates this mostly untold tale one of the a number of settings the place episodes happened, together with Florence, Genoa, and Venice.
In the process explaining their unbelievable liaison and its results, A bed Maker's Daughter explores early smooth feelings, fabric tradition, heredity, absolutism, and spiritual tensions on the crux of 1 of the nice changes in ecu tradition, society, and statecraft. Giovanni and Livia exemplify altering strategies of affection and romance, new criteria of private and non-private behavior, and rising attitudes towards estate and legitimacy simply because the age of Renaissance humanism gave technique to the tradition of Counter-Reformation and early smooth Europe.
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Additional resources for A Mattress Maker's Daughter: The Renaissance Romance of Don Giovanni de' Medici and Livia Vernazza
Yet he was torn between the two interests, and from the evidence at hand, there seems to have been no one in his environment to help him somehow fuse them. Maybe if he had been able to put the question to the only father he had ever really known, his elder half-â•‰brother Francesco, he would have set his life on a different path. Later he would discover that Francesco was experiencing serious problems in the desperate attempt to match the legacy of Cosimo I. Only later he would begin to understand the difficulties Francesco faced in attempting to match the legacy of Cosimo, who died in 1574.
Break the rules, pay the consequences. The family sought advancement within the community of European dynasties in an age that prized legitimacy and orthodoxy. 22 His father Cosimo I’s consorting with Protestants was as inconvenient a memory as were the numerous concubines and their several children (including him). His half-â•‰brother the grand duke Francesco I’s dallying with Bianca Cappello, the eloped Venetian conveniently freed from her first youthful marriage by the mysterious murder of the spouse, and over whose head there hung suspicions of further dallying of her own with other lovers besides Francesco, had all largely taken place during Francesco’s first marriage with Johanna of Austria.
55 With so little to show for himself except hopes and expectations, perhaps he felt somewhat overshadowed by the ever-â•‰productive Galileo, whom he had recommended for the post at Pisa in 1589. Perhaps he once relished the the family business 38 friendly disagreements and debates. His behavior suggests that as time went on the contradictions on matters of military architecture were becoming an embarrassment. Eventually there was a clash, but the details are only sparsely reported in the documents.
A Mattress Maker's Daughter: The Renaissance Romance of Don Giovanni de' Medici and Livia Vernazza by Brendan Dooley